Lumen 2018

S TANISLAUS P APCZYNSKI 464 102. DW 3, f. 15r, § 12. 103. Letter to Fr. Casimir Polak, February 19, 1752; also, a letter to the same father, dated August 19, 1752. 104. Positio LXXXV. 105. Letter of February 17, 1753; DW 3, ff. 34r-34v. 106. A letter to his brother, February 2, 1753, DW 4, 27 n. 107. DW 2, 23-24. 108. DW 2, 13, 14, 19. 109. “Primo, finis Sanctae Ecclesiae in promovendo Servis Dei ad Beatificationem et Canonisationem duplex est: videlicet ut Deus honorificetur in Servis suis, deinde ut Fideles exemplo Servorum Dei vitam Sancte [ab] eis peractam imitentur.” DW 3, f. 16r. 110. DW 3, f. 22r. 111. Anthony Albertoni was a talented painter. Born in 1730, son of Francis [Albertoni], an Italian residing inWarsaw, he was sent by his father to Rome to study painting. After his return to Poland, he was one of King Stanislaus Augustus’s court painters ( pictor regius ). He died in 1795. Z. Batowski, Albertrandy Antoni , vol. I, 44; Positio, 715-716, footnote, 253, 255. 112. Today, the original portrait of Fr. Papczynski hangs at the Mar- ian monastery in Skorzec. It was carefully restored in 1998. We do not know, however, where the copy of this portrait is; the copy that Fr. Wyszynski had with him in Rome. 13. His name was Theodore, he was Prince Czartoryski’s painter and also studied in Rome. DW, Letter to Rev. Ladislaus, the coun- cilman, August 1752. 114. VW § 113, 715-716. The aforementioned portrait could not be found today. But it should be added that the portrait of Fr.

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